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The Terror: A Novel

发布时间: 2010-02-07 18:21:04 作者:

 The Terror: A Novel


基本信息出版社:Little, Brown and Company
页码:769 页
出版日期:2007年01月
ISBN:031611328X
条形码:9780316113281
装帧:平装
正文语种:英语
外文书名:恐怖行动

内容简介 The men on board, Her Britannic Majesty's Ships Terror and Erebus had every expectation of triumph. They were part of Sir John Franklin's 1845 expedition - as scientifically advanced an enterprise as had ever set forth - and theirs were the first steam-driven vessels to go in search of the fabled North-West Passage. But the ships have now been trapped in the Arctic ice for nearly two years. Coal and provisions are running low. Yet the real threat isn't the constantly shifting landscape of white or the flesh-numbing temperatures, dwindling supplies or the vessels being slowly crushed by the unyielding grip of the frozen ocean. No, the real threat is far more terrifying. There is something out there that haunts the frigid darkness, which stalks the ships, snatching one man at a time - mutilating, devouring. A nameless thing, at once nowhere and everywhere, this terror has become the expedition's nemesis. When Franklin meets a terrible death, it falls to Captain Francis Crozier of HMS Terror to take command and lead the remaining crew on a last, desperate attempt to flee south across the ice. With them travels an Eskimo woman who cannot speak. She may be the key to survival - or the harbinger of their deaths. And as scurvy, starvation and madness take their toll, as the Terror on the ice become evermore bold, Crozier and his men begin to fear there is no escape... --This text refers to an out of print or unavailable edition of this title.
作者简介 DAN SIMMONS is a recipient of a Hugo Award and the author of acclaimed suspense and science fiction novels, including Darwin's Blade, Hyperion, Ilium and Olympos. He lives in Colorado. His website is www.dansimmons.com. --This text refers to the Paperback edition.
媒体推荐 书评
From Publishers Weekly
Starred Review. Hugo-winner Simmons (Olympos) brings the horrific trials and tribulations of arctic exploration vividly to life in this beautifully written historical, which injects a note of supernatural horror into the 1840s Franklin expedition and its doomed search for the Northwest Passage. Sir John Franklin, the leader of the expedition and captain of the Erebus, is an aging fool. Francis Crozier, his second in command and captain of the Terror, is a competent sailor, but embittered after years of seeing lesser men with better connections given preferment over him. With their two ships quickly trapped in pack ice, their voyage is a disaster from start to finish. Some men perish from disease, others from the cold, still others from botulism traced to tinned food purchased from the lowest bidder. Madness, mutiny and cannibalism follow. And then there's the monstrous creature from the ice, the thing like a polar bear but many times larger, possessed of a dark and vicious intelligence. This complex tale should find many devoted readers and add significantly to Simmons's already considerable reputation. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From The Washington Post's Book World/washingtonpost.com
Reviewed by David Masiel

The fate of Sir John Franklin's last expedition remains one of the great mysteries of Arctic exploration. What we know, more or less, is this: In the balmy days of May 1845, 129 officers and men aboard two ships -- Erebus and Terror -- departed from England for the Canadian Arctic in search of a Northwest Passage to the Pacific. They were never heard from again. Between 1847 and 1859, Franklin's wife pushed for and funded various relief missions, even as the expectation of finding survivors was replaced by the slim hope for answers.

It's a story perfectly suited for fiction, if only because we have so little else to go on. Dan Simmons's new novel, The Terror, dives headlong into the frozen waters of the Franklin mystery, mixing historical adventure with gothic horror -- a sort of Patrick O'Brian meets Edgar Allan Poe against the backdrop of a J.M.W. Turner icescape. Meticulously researched and brilliantly imagined, The Terror won't satisfy historians or even Franklin buffs, but as a literary hybrid, the novel presents a dramatic and mythic argument for how and why Franklin and his men met their demise.

The book opens well into the middle of things, at the onset of the ships' third winter beset in sea ice. Months after Franklin's own death, his second-in-command is now in charge. Gothic imagery pervades, as "Captain Crozier comes up on deck to find his ship under attack by celestial ghosts." This "attack" turns out to be an artful description of the aurora borealis, though Simmons never tells us that directly. Indeed, the power of his metaphoric language comes from the archetypal superstitions of the crew, who, despite their anchor of Protestant Christianity, are a pagan lot deep down.

But the crew's belief in witches and magic may or may not explain their main fear: a "Thing on the ice" that stalks, beheads, eviscerates and otherwise kills off crewmen one by one. For 200 pages or so, we aren't sure if this beast is a figment of their overactive imaginations, maybe a giant polar bear or a yeti of Northern lore, a monster suggesting the "beastie" of Golding's Lord of the Flies -- the terror within -- or Beowulf's Grendel, not to say Grendel's mother -- a preternatural, evil intelligence bent on destruction.

Faced with mutinous threats, general starvation, intense cold and something wrong with their tinned food supply (scurvy and lead poisoning appear rampant), Crozier provides leadership without arrogance. As the novel's protagonist, he is a man of the people, a realist, unlucky in love. As an Irishman in the British Royal Navy, he has been largely ignored by the Admiralty despite his stoic competence.

By contrast, Franklin represents most of what was wrong in early British Arctic exploration. His prior expeditions had met with minimal success, making him best known in England as "the man who ate his shoes," though given all the other things men ate to stay alive on Arctic expeditions, it's unclear why shoe leather would be singled out for ignominy. Goaded by his very public failings, Franklin retained his penchant for arrogant idealism and wasteful ritual. He brought along fine china and monogrammed silverware, among other "necessities." In the end, his primary mistake is cultural: Out of xenophobia he refuses to adopt local methods of travel, shelter and hunting. Yet to say that Sir John gets his just deserts is unfair if only because 128 others suffer the same fate.

Crozier recognizes the captain's weaknesses, and therein lies the novel's poignant sense of loss. He dispenses shipboard justice out of practical necessity rather than lofty idealism. In their desperate hours, he preaches not from the Bible favored by Franklin but from the "Book of Leviathan" -- his own recitations from Thomas Hobbes, which, among other things, explains the birth of superstition and religion: "There was nothing which a Poet could introduce as a person in his Poem, which [man] did not make into either a God or a Divel." As the novel descends toward its hellish climax, the "Divel" chasing our crew -- that "Thing on the ice" -- transcends its monstrous nature and becomes the manifestation of earthly retribution, wild payback for the hubris of Western civilization.

The vehicle of that transcendence is Lady Silence, a mute Inuit girl who lives on the ship and goes at her own whim, providing a portal to Eskimo mythology and shamanism. Northern spiritual philosophy gives the world -- and this novel -- its ultimate balance, predicting the coming of kabloona ("pale people"), whose arrival brings "drunkenness and despair," melts the sea ice, kills off the white bear and calls forth the "End of Times." While Franklin's men are unable to escape the realities of starvation, brutal cold and the violent urge, Crozier's instinct for survival pushes the novel to its ethereal end.

This mix of historical realism, gothic horror and ancient mythology is a difficult walk on fractured ice, and anyone without Simmons's mastery of narrative craft would have undoubtedly fallen through. Despite its Leviathan length, The Terror proves a compelling read, while making the average meal consumed by the average American seem a precious gift from warm-weather gods.

Copyright 2007, The Washington Post. All Rights Reserved. --This text refers to the Hardcover edition.

From Booklist
The prolific and versatile Simmons turns to historical fiction in this fine narrative of the lost Franklin expedition of the 1840s, in which nearly 200 men sailed in search of the Northwest Passage aboard two converted naval vessels, Erebus and Terror. They seemingly sailed off the face of the earth, until remains of the longest survivors among them were discovered many years later. Simmons makes the Terror's Captain Crozier his protagonist, and through his eyes we see history infused with sf, fantasy, and horror elements: sf because the expedition went farther into the then unknown than did the Apollo astronauts; fantasy because the hardships of the grippingly described arctic environment played havoc with their minds; and horror because the men perished in ones and twos, in dozens and scores, from boat accidents, falls, scurvy, hypothermia, exposure, starvation, and parasitic infections. Crozier survives by taking refuge among the Inuit and covering the expedition's nightmarish trail by burning his ship and vanishing from civilization, by which time readers may be as emotionally drained as he. Outstanding. Roland Green
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
编辑推荐 DEATHRAY, February 2008
'This book really is an astonishing achievement, blending meticulous research with excellent characterisation. We can't recommend this one heartily enough.'
--This text refers to the Paperback edition.

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