基本信息出版社：Bantam Classics
页码：208 页
出版日期：1981年09月
ISBN：055321229X
条形码：9780553212297
装帧：简装
正文语种：英语
丛书名：Bantam Classics
外文书名：织工马南传

内容简介 在线阅读本书

Embittered by a false accusation, disappointed in friendship and love, the weaver Silas Marner retreats into a long twilight life alone with his loom. . . and his gold. Silas hoards a treasure that kills his spirit until fate steals it from him and replaces it with a golden-haired founding child. Where she came from, who her parents were, and who really stole the gold are the secrets that permeate this moving tale of guilt and innocence. A moral allegory of the redemptive power of love, it is also a finely drawn picture of early nineteenth-century England in the days when spinning wheels hummed busily in the farmhouses, and of a simple way of life that was soon to disappear.
作者简介 Mary Ann Evans was born on November 22, 1819, at Chilvers Coton, Warwickshire, England, the last child of an estate agent. During her girlhood, she went through a phase of evangelical piety, but her strong interest in philosophy and her friendship with religious freethinkers led to a break with orthodox religion. When one of these friends married in 1843, Mary Ann took over from his wife the task of translating D.F. Strauss’s The Life of Jesus Critically Examined (1846), a work that had deep effect on English rationalism. After her father’s death she settled in London and from 1851 to 1854 she served as a writer and editor of the Westminster Review, the organ of the Radical party. In London she met she met George Henry Lewes, a journalist and advanced thinker. Lewes was separated from his wife, who had had two sons by another man, but had been unable to obtain a divorce. In a step daring for Victorian times, Mary Ann Evans began living openly with Lewes in 1854, in a union they both considered as sacred as a legal marriage and one that lasted until his death in 1878.

With Lewes’s encouragement, Mary Ann Evans wrote her first fictional work, “The Sad Fortunes of the Reverend Amos Barton,” for Blackwood’s Magazine in 1857; it was followed by two more stories published under the pseudonym George Elliot–“George” because it was Lewes’s name and “Eliot” because, she said, it was good mouth-filling, easily pronounced word.” At the age of thirty-nine she used her memories of Warwickshire to write her first long novel, Adam Bede (1859), a book that established her as the foremost woman novelist in her day. Then came The Mill on the Floss (1860), Silas Marner (1861), and Romola (1863). Her masterpiece and one of the greatest English novels, Middlemarch, was published in 1871-72. Her last work was Daniel Deronda (1876). After Lewes’s death George Eliot married John Walter Cross. He was forty; she was sixty-one. Before her death on December 22, 1880, she had been recognized by her contemporaries as the greatest living writer of English fiction.
专业书评 From Library Journal
This 19th-century classic, read by Andrew Sachs, is a tale of betrayal, gold, and love, encased in the elegant symmetrical structure so popular in traditional English fiction, featuring Marner, the weaver, who is framed for theft by his best friend and becomes a recluse, focusing his strong affections only on the store of golden coins he receives in payment for his work. As usual, Chivers has produced an excellent audio presentation of a literary masterpiece. Alas, in this day and age fewer and fewer readers not enrolled in literature classes actually read the works of what are frequently referred to as "dead white males" even if, as in this case, they were actually written by a woman. For this reason, this title is recommended for all academic but only larger public libraries.
-I. Pour-El, Iowa State Univ., Ames
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From AudioFile
In her lifetime, Marian Evans (1819-80) was celebrated under her pen name of George Eliot as England's greatest living novelist. Today, she is known primarily as the bane of school kids who, having SILAS MARNER thrust down their throats, learn to despise the written word. Dove seeks to make palatable the dreaded tome, about a reclusive miser redeemed by the orphan girl he raises, by engaging Stephanie Beacham to narrate its cassette version. And what a job she does! Thoroughly nuanced and idiomatic. Unfortunately, sloppy editing destroys most of her rhythms and blunts the power of her performance. However, Beacham so excels that one willingly endures the botched surgery on her pauses to hear her breathe dimensional life into the old bogey-book. If you're a former school kid wondering just what the heck makes this novel living literature, you may find out by picking up this audiobook. Y.R. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.

Review
"I think Silas Marner holds a higher place than any of the author's works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect. . .which marks a classical work."—Henry James

Review
"I think Silas Marner holds a higher place than any of the author's works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect. . .which marks a classical work." -- Henry James