基本信息出版社：Penguin Books
页码：128 页
出版日期：1998年10月
ISBN：0140621261
条形码：9780140621266
版本：New Ed
装帧：精装
正文语种：英语
丛书名：Penguin Popular Classics
外文书名：第十二夜

内容简介 Separated from her twin brother Sebastian after a shipwreck, Viola disguises herself as a boy to serve the Duke of Illyria. Wooing a countess on his behalf, she is stunned to find herself the object of his beloved's affections. With the arrival of Viola's brother, and a trick played upon the countess' steward, confusion reigns in this romantic comedy of mistaken identity.
作者简介 William Shakespeare (1564-1616) was born to John Shakespeare and mother Mary Arden some time in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), a collection of sonnets and a variety of other poems.
编辑推荐 Amazon.co.uk Review
One of Shakespeare's finest comedies, Twelfth Night, was written at the same time as Hamlet and Troilus and Cressida, and while it shares their fascination with sex, death and confused identities, its exuberant comedy and linguistic inventiveness rises above the introspection of these plays. Viola and her twin brother Sebastian are separated in a storm that washes them both up at different points on the shores of Illyria. Believing each other to be dead, both attempt to survive by using their wits. Viola cross-dresses and enters the service of the lovesick Orsino, in love with Olivia, an heiress in mourning for the loss of her brother. Orsino's saucy young page Cesario (Viola) soon falls in love with "his" master, who tells "him", "all is semblative a woman's part". Unfortunately, while Viola falls in love with Orsino, Olivia falls in love with her alter ego, Cesario, while also being pursued at the same time by her pompous servant Malvolio. Olivia's house is also turned upside down by the antics of her drunker uncle, Sir Toby Belch, and the whole crazy situation reaches boiling point when Sebastian reappears.

Despite the madcap plot, Twelfth Night remains one of Shakespeare's most complex and inventive comedies, fascinated with questions of cross-dressing, gender confusion, language and inversion, as well as retaining a darker edge to some of its laughter. --Jerry Brotton